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Luis Pablo Gasparotto

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  • #22751
    #22738

    Hi James,
    You just need to download the files on the links and then extract the audio files using WinZip or a similar tool.

    #22710

    Hi Folks,
    This is my first post here so let me introduce, my name is Luis Pablo Gasparotto and I was the Hahn reeds distributor for the Americas. I’m the guy somebody referred as the Argentinian Hahn reeds provider. I don’t represent nor distribute Hahn reeds anymore, I’m developing my own product at this time, I’m at a very advanced stage of the developing process.

    I’m a synthetic reeds big fan because I think they have a better pros/cons relation than natural cane reeds. I play synthetic reeds exclusively since 10 years ago. After testing almost all available synthetic reeds brands and models I realized there’s a right synthetic reed for everyone. Of course, certain synthetic reeds could demand an adaptation period. I think the synthetic reed is the best option for those players who want a reed which “just works” or a kind of “plug and play” reed. A well know saxophone player said “nothing compares to a very good natural cane reed but, how many of them (if any) you get in a 10 reeds box? Synthetic reeds are more like an average natural cane reed”.

    I did a few recordings for comparative purposes (not for sharing my below average playing level). I used the synthetic reeds I like the most on both alto and tenor.

    Alto reeds Mouthpiece was a Meyer 6M and saxophone was a Martin Imperial Handcraft (1935).

    Tenor Sax Mouthpiece was a Saxscape SL and saxophone was a Holton 241 (’30s).

    I did these recordings as a blind test, I’ll share the reeds brands and models later. Your opinions will be highly appreciated.

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